GUIDELINES FOR PAPER #2
A Holocaust joke: Two Jews decide to assassinate Hitler. They learn that he drives by a certain street corner at noon each day, and so they wait for him there, their guns well hidden. At exactly noon they're ready to shoot, but there is no sign of Hitler. Five minutes later, still nothing. Another five minutes pass, but no sign of the Fuhrer. By 12:15 they start to give up hope. "My goodness," says one of them, "I hope nothing has happened to him."
Holocaust humor -- does this phrase sound like an oxymoron to you?
Maybe you think it's sacrilegious to treat such a serious topic as the Holocaust
in a humorous vein. If you ponder it, though, you may come to realize that
humor is probably an important tool in understanding the Holocaust. In
fact, its implementation may also have been an important survival mechanism for
those in the concentration camps.
In Yiddish, this brand of humor is referred to as a bittere gelechter, a
bitter laughter, or laughing through one's tears. It applies to the belief
that there are moments of great humor in even the darkest circumstances, and
those moments of levity can be sustaining. As David Bergman, an Auschwitz
survivor has claimed, "'When I was held captive early in the death camps, a few
of us victims who somehow managed to maintain a positive outlook on life would
get together secretly after work just to exchange humorous stories. These
exchanges helped us to temporarily numb the horrors we faced, thus making it
possible for us to make it through another difficult and trying day'"
(Davidson).
CONTENT
There are a number of on-line articles that delve
into using humor to delineate events of the Holocaust, in general as well as in
film in particular. Some of these are listed below. You can access
any of them by clicking on the underlined title.
"Humor As a Defense
Mechanism in the Holocaust," by Chaya Ostrower
"Humor in the
Holocaust: Its Critical, Cohesive and Coping Functions," by John Moreall,
Ph.D.
"A Resistance Movement of Humor," by Steve Lipman
"The Value of Holocaust Humor"
"Holocaust and
Humor?," by Caroline McCracken-Flesher
For Hitler Must Be
Laughed At," by Andrea Gyenge
Below are Internet links on Life Is Beautiful. However, you should, of course, feel
free to use your own resources, whether on line or actual texts.
An interview with Benigni in The Guardian, 11/7/98
Article
on Life is Beautiful, by Erika Milvy in Salon Magazine,
10/30/98
Criticism
of the film in "The Unbearable Lightness of Benigni," by
Charles Taylor, in Salon Magazine, 10/30/98
Analysis of the film by Yazmin Ghonaim, Cinephiles, 1998
Analysis and review by Katharine E. Monahan Huntley, Dramatica
Must-read scholarly
article on Benigni's film
An insightful overview,
including reviews and a reference to Chaplin's The Great Dictator
"Escape From Auschwitz:
Life Is Beautiful Turned the Holocaust Into a Sentimental Fable" by
Alan A Stone, M.D., Psychiatric Times, April 2000 Vol. XVII Issue 4.
"Camp
Comedy" by Slavoj Zizek, Sight and Sound, April 2000.
Laugh
Yourself to Death: The New Wave of Holocaust Comedies" by Slavoj Zizek,
Discontinuities, 1999.
Rev. of Life Is
Beautiful, by Michael D'Angelo
Rev. of Life Is
Beautiful, by Bryant Frazer, Deep Focus
Rev. of Life is
Beautiful by Susan Jagminas, Peace Magazine
"Life Is Beautiful...An Appreciation" by Freda Freiberg, La Trobe
University
Of course, you needn't use the sources listed above; you are free to consult articles and books of your own choosing. In addition, I want you to include your own opinions as to whether it is okay or egregious to use humor to delineate events of the Holocaust.
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